migs created these tasty little deep cuts just for fun and simply for his dj sets with the dancefloor in mind. test driven across the globe in venues of all shapes and sizes, they have moved many bodies on numerous occasions. try them out for yourself - its just some tracks so dont trip! enjoy. please support indie labels and do not copy or share! respect and rock the disco-tech!

third ear recordings is proud to release exit earth. it is imaginative. it is beautifully written, played and produced. it reminds us how much we love techno. contains a download voucher with all the mp3 tracks+2 bonus tracks (not on vinyl).

auf dem zweiten teil der vinyl only edits sind skinnerbox, kiki, mr. statik und shinedoe mit alternativen versionen ihrer tracks zu hoeren.

detroit master of technosoul eddie fowlkes shows us that he can still surprise us with his original beats. influenced by soul music, in love with dance music, this powerful track is a perfect combination of his inspirations. and it really makes you want to dance and feel the music go into your ears until *something e special* gets stuck in your head for good. bringing you catchy lyrics, vibrant beats and a great kick. who else than the legendary eddie fowlkes can declare war on dance music? well, not me. the only thing to do is to follow the hypnotizing beats and sounds of this track and let our bodies go crazy. and when the backbeats hit us, it transports us to a new level where we definitely join mr fowlkes on his trip to become his allies.

massive! vinyl only! wound music is back! produced by claudio & gianmaria coccoluto. includes william medagli remix! a mix of deep, dark and raw sounds. not to be missed!

palastrevolution, a well programmed and driving synth combined with a deep low end making this tune a mind stimulating composition with a manipulative & revolutionary attitude. dave digital and leonicc, the producer duo behind mappey, have been making music for almost three decades and their musical journey could not have expressed better as through palastrevolution.

mix the verspielheit of mgmt, the darkness at zola jesus, the groove of the whitest boy alive put atop of morricones or calexicos shimmering desert landscapes and around that certain sexyness and lasciviciousness that remind on the chromatics or glass candys of this world. this is the building, a trio from hamburg. based around the fabled drummer sven elsner (ex tigerbeat), as well as writer and singer daniel chun and pianist and second lead vocalist tina kaempe.

audiolith - musical luckybag with a masterplan. ten years from now, back in 2003 the label started as musical one-man-show without any kind of business plan. a decade has passed since then and audiolith grew into a proper company with two associates, employees, office, online mailorder store and not less than 200 releases under its belt. but still some things never change, especially when it comes to release politics. no matter what ever style comes in whenever the boss likes it there will be a release. no compromise, no fear of failure that is what audiolith is all about and lars lewerenz is, has been and stays the musically approving authority, no matter if we talk electropunk, drum n bass, indie or punkrock, hiphop, trap, deep. emotin-driven house or electropop. his widely varied taste is the reason why audiolith still remains fresh and surprising a musical luckybag, but one with a masterplan. now the year is 2013 and audiolith is still loved by many - and hated by some for giving away golden gifts to fans instead of waiting for presents itself.

the experience continues - on double 12 inch vinyl with downloadcode included.

church follow on from their hugely successful debut release of lorcas faith evans refix late last year (church000), with the launch of their new side project church white. this sub label will focus more on the melodic side of the spectrum, decidedly not shying away from the use of a vocal sample. moving on from its bootleg debut (church000), church white will also be the home to edits and original productions. the first release comes from co-founder seb wildblood whom recently released on kerri chandlers much loved imprint madtech records.

after ryan davis album particles of bliss in june 2012 on traum it was clear to everyone that he was one oft he most versatile artists on the label. there was no electronic playground he did not enter. his phanstastic and illusionary music makes him such a special artist for traum.

once upon a time…in the midst of masked identities, artist pseudonyms and the like, midnight shift introduces a creature not even of human form.
tapirus conjures music reflecting the duality of his soul. on one hand, rough and acidic to tell of the terrain of his past. and on the other, pure ethereal sounds borne of another place. this ep, showcasing 3 songs of the tapirus alongside a remix by label artist basic soul unit, is just the introduction to his tale.

this is the first release of mexican/canadian label departures records done by up-and-coming artist mike khayata. the ep features 2 original tracks and 2 remixes, shivers is a deep, slow but very dynamic track that reflects the artists thoughts on the immediacy of things these days. its chord progression drives the track and captures your attention from the moment it starts and makes for a very introspective listening experience not necessarily designed for the dance floors

hailing from holland, ekman has been haunting the dancefloors for some time now with his deformed acid influenced dark and nasty slow electro and techno tunes. his sound fits in perfect in between drugged out techno and new beat / early techno stuff. even some classic electro touches are in there. simply excellent for your not so average dance party, but who likes average anyway.

new label back to the balearics follow up the superb maricopa ep with a stunner from berlin based live music collective spleen. part one in their musical odyssey *fusionary* consists of live jams and instrumentation over computer-based syncopation, their music has a strange yet organic flow to it, which is both hypnotic and rhythmic. think kraut influenced, psychedelic dub funk with a touch of alt pop and you will be on the right road, but still miles away. music is better than words ... spleen prove that. limited edition vinyl with beautiful printed sleeves.

one of the first people elie asked for music from when he founded jackoff records was massimiliano pagliara. its hard not to be a fan. now three years later finally it happens with massis project with production partner rotciv under the name the rimshooters.

polymath james leyland kirby must surely have one of the most confounding cvs in the business: he spent years taking the piss out of the music industry with anthems rallying against the (vv)mcps, he notoriously fell out with various well known record labels for reasons you ll just have to google, goaded aphex twin with a series of tributes and channelled his love of everything from falco (rock me amadeus), chris de burgh, frankie goes to hollywood and stockport karaoke nights into a stream of increasingly bizzare 7 s back in the early noughties. but at the same time he was responsible for releasing some of the very earliest material from boards of canada (hell interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought new beat to the worlds attention and, in 1999, made his first album as the caretaker, a project that would go on to release some of the most loved ambient/ lynchian albums of recent times.

played by: max essa, i love disco!, sleazy beats recordings, coyote is it balearic?
review: japans 9dw release their first track for is it balearic..? right on is a super chilled loopy slo mo disco gem. touches of soft acid and boogie bassline make this a certain for the more discerning dancefloor. the mushrooms project remix creates an ever growing tribal dubby trip with what sounds like a jews harp thrown in for good measure. mesmerising. the b side features a track that has been an iib favourite for a couple of years since it was heard live in loop tokyo. this slowave almost out of sync techy chugger is not like anything else. evolving with analogue synths and stabs to become a heads downs stomper. international man of mystery man power adds man power to the track and creates a slightly darker journey into synth land

sublime speaks the language to make that body work gon b alright (the time of your life) need we say more?: the body language ep, the new ep by amsterdams kid sublime, fans of early m.a.w, mike dunn and moodyman releases will not be dissapointed..b-boy house.

we feel very honored to present our new baby rue de plaisance-re issue to the world. we are starting this project to re-release some of our favorite tracks from back in the days, as we believe they need to be made known to the new and upcoming generation. these are our rootz. for our first opus we have invited from the uk the infamous duo >idjut boys< who surely have much to offer with over 20 years of releasing contemporary dance music all over the globe. for our first issue we chose their track >not reggae< supported by forward thinking mixes by varoslav and david k who pushed those classics to another level. we hope, all of you, will enjoy this new project as much as we do. quality timeless music on vinyl...

this is the start of our path in the darkness, in search of the brightest light. rectoversion its not just a label but a life concept based on the notion of dualism thats the reason why we have an original track for side with their remixes, a leitmotiv useful to show the complete face of each of them. so you can feel the black and the white of these two tracks by alpha code & future 16, with reworkings by tadeo and area fortyone.

three rompecabeza vinyls for one special price! this pack constains:
- rompe011: holgi star &#8206,– remixes
- ropme014: kotelett & zadak &#8206,– bombus barbutellus
- rompe016: dave shokh &#8206,– ancient valentient

its a fact: plector 005 strikes back with a full techno analogue ep. as a starter on the a side, noticed for his ep on m_rec ltd and his featured track on plector lp003, stanislav tolkachev delivers two linear, energetic , greasy techno as he used to do. no loops, no break, just heavy beatz to hit the dancefloor in a dramatic way. a perfect weapon to not miss your target. for the main course, we can find fran hartnett, well known for his it was written in vapour track and the great number of remixes he did on various labels. he stays faithfull to himself with this two trackers side. astonishing breaked techno at its best. ideally to start a big party! as we said, since plector become a reality: just techno, no compromise at all

one of the biggest hitters on the uk house/techno scene right now delivers a naughty but very nice under-the-counter duo of club friendly reworks of two iconic british bands.

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

ltd backstock !!
let us say it right away, >the praetorian / rq-170< is breaking new grounds for artist & label equally. stagnation equals death. this to many new side of shed probably presents one of the darker and more experimental sounds of 50 weapons. its not techno. its not dubstep. its not breakcore. its not jungle. its not ambient. its not chill out. its not glitch. its not drone. what is it? epic bass!

funkwerkstatt-saenger dan morro wandelt auf solopfaden. wohin? in eine musikalische welt, deren hohe atmosphaerische dichte zwischen poppiger leichtigkeit und tiefsinniger melancholie oszilliert. es sind klassische songs, die er hier unter dem namen >i am halo< vorlegt. denn immer ist es die textur seiner einzigartigen stimme, um die herum sich rhythmen und melodien kristallisieren. dies geschieht mal mit tanzbarer, mal mit eher bedaechtiger dynamik, mal mit orchestralen motiven, mal mit elektronischem gefrickel, aber immer mit ganz viel gefuehl und stimmung. so ganz allein ist >i am halo< uebrigens doch nicht unterwegs. the micronaut steuert einen remix zu little planet bei, in dem die jazzige vertracktheit seiner beats immer wieder punktgenau auf der eins landet. gluid hebt unter die fließende melancholie des titels not invented gradlinige rhythmen, die das symphonisch anmutende original voll und ganz tanzflaechenkompatibel machen. und mollono.bass arbeitet sorgfaeltig die sonnigsten aspekte von queen of queens heraus um sie zu einem ungezwungen groove zu verdichten.

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

cloaked in black, dimly lit and sparkling with dust, warm communications announces umbra volume 1. much in the spirit of adam xs traversable wormhole series, warm is bringing you a collection of anonymous releases that remind to remember drum and bass at its true heart: cracking snares, kick drums hitting your chest, subtle pads playing in an offcentered unison over 808 tones drowning distant thunder. these are the tunes you hear in a mix and say, who was that? the tunes that have made you wake up the next morning and type *id?* in the comments page. the tunes that do not even need to be named. warm communications umbra is truly about the art.
umbra volume 1 is a two-track ep that evokes omni trio and saw-era aphex twin, rumbling sine-heavy bass under ringing melody, computed chords and clean, crisp drums. this is a collectable, limited-edition series labeled appropriately with secretive sewer-grate artwork. umbra volume 1 is lurking there, underground, looking up through the shadows. it is up to you to find out just who is waiting there.

somehow no 19 are about to do it again – the label run by jonny white is about to unleash a truly monstrous new ep that will not only soundtrack dancefloors for months to come, but fully announces the arrival of a talent who has been bubbling under for a while now in the form of uk producer eric volta. having been road tested in almost every art department set since january, no 19 are now ready to unleash drop their most powerful secret weapon into the wider world, and its sure to be one of the biggest of the year.

best known for his work on l.i.e.s and with steve summers as confused house, nik dawson aka bookworms drops an absolute banger on barcelona based label anomia. fans of the hazy textures of confused house here will be surely taken a back by the fact that the opening gambit on this ep, *mechanism* is utterly tonking. *photogenic* is another rushing weapon, while the closing track is a beautiful ambient piece. seriously killer ep, we can not recommend this enough!

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

this is the vinyl edition of tigerskins album >all those goodbyes< this special vinyl features 3 exclusive tracks that are not on the cd version of the album. the essence, out of breath and the king always stays the king are three club bangers that will destroy your floor.

as an artist, christian burkhardt, is not content with existing within the realms of house and techno, but is determined to further stretch its limits with his signature sound originally from heidelberg, germany, he has carved out his own unique path in production, something which perfectly evident on send the money back.

basic fingers release no. 15 is patrice larrar aka reverend ps blisteringly good reworks of two very familiar voices. if this is not soul & disco seduction of the highest order we really do not know what to say. truly spellbounding stuff.

the first release on the new bodytonic label is the debut ep by white collar boy. white collar boy are a two piece electronic-garage group from dublin. mark cummins (the ginger one) and gavin white (the-not-so-ginger one) met in barcelona where their shared passion for electronic composition (and knitting) inevitably led the pair to merge their creative endeavors. *suuu / tide* comes fresh with remixes from twisted pepper resident frank b (he of chain of fools fame) and simon bird.

the murph has not been shy about sharing his vision with the world, & here he brings some classic home grown chicago flavor. pressing on pink coloured & white marbled vinyl.

uk house/disco duo casino times are happy to announce the first in a brand new series of hand stamped, limited italo/disco edits curated or produced by the fun loving boys themselves. casino times have been releasing their own brand of catchy, neatly swung, dance floor ready disco and house on labels like wolf music and needwant. it is not often that an artist can be defined by such a distinctive sound whilst still maintaing a varied and extremely open minded approach to music production and djing. no two of their tracks are similar, yet somehow you will be sure you are listening to a casino times song before it reaches the chorus. their productions sit so comfortably on that precarious boundary that so many artists struggle to sit, while they are emotionally charged they are also extremely dance floor friendly and are as fun as they are provoking. the first in the series (casino edits 001) comes courtesy of the london based duo themselves and is testament to what the series intends to achieve… limited hand stamped copies.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

we present to you the first vinyl record from the minim.all label. this is a work by a creative team from russia, consisting of the owner of the minim.all label - mikhail kobzar a.k.a. plastic sound and his wife nastia. my wifes and my own ideas of people have always been filled with humor. after all, its impossible not to smile while observing the causes which make people act in a certain way.

toolbox is so proud of this wax. i discover somatic responses with their very first ep on cfet, and i still dig for any of their music. whatever it was with cavage, with ant-zen or with dbn. but its true to say techno became more and more rare with them. and this time we hang on with four unrealesed techno and hardcore tunes from somatic responses! the sound is just acid and crazy of course, but this is not oldschool, this is music, probably the best musical ep on acid night.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

limited to 200 copies in white – marbled vinyl with an exclusive vinyl-only dub remix! movida records presents 2 remixes from the track >la movida< which was original released on the part 3 of the compilation (movida010-3. on the a-side you have that remix from wigbert (sono vivo / levelnonzero) which is a very deep and spacin trip to the next dimension. on the flipside you have an classic dub remix which is done exclusive for all vinyl lovers and will not be released digital.

the newest edition to the back to you collective shows not to disappoint. greek born dj/producer dimitris kesses, better know as sek is not only the new kid on the block, but another careful selection from bty in new talent and an exploitation for the freshest sound. previously featuring on labels such as lost my dog and off recordings the latest ep broadcast seems to fit well on back to you.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

christoph el truentos debut album, what we used to know, is born of change and confusion, and sounds utterly incredible for it. the deeply talented 24-year-old new zealander started writing back in 2011 at the time his son was born. tired fatherhood, personal upheaval and artistic indecision would actually help show christoph a clear path towards completing the record – a transcendant sweep of synths, samples, organic instrumentation and window ledge field recording that gently reveals new layers of sonic texture and emotion to the listener.